Friday, March 30, 2012

Look at books - Oscar Wilde, Irish history, and savage NYC fiction

More Lives Than One: The Remarkable Wilde Family Through the Generations
By Gerard Hanberry

Sometimes your fate arrives in the form of a lover. When Oscar Wilde wrote The Picture of Dorian Gray in 1890 his wife Constance noticed that many of their friends stopped speaking to them after it was published.

Then one day a young man turned up at the invitation of a friend, and Wilde discovered he had read the book nine times. Flattered by his attentions, Wilde fell hard for Lord Alfred Douglas, the blond haired son of the Marquis of Queensbury.

But all the Wildes lived their lives as though making themselves the ideal subjects for a biographer. Wilde’s father was a brilliant surgeon and his mother was the flamboyant Lady Jane, who wrote stirring nationalist poetry under the nom de plume Speranza.

The Wildes were a pair of mold breakers and provided an ideal springboard for the brilliant career of their singular son. But Oscar didn’t leap fully formed from his college days in Dublin. Both of his brilliant parents had taught him well, and Gerard Hanberry’s book seeks to restore their influence and importance to one of the wittiest and most incisive writers who ever lived.

In setting out to conquer the literary world, Wilde was himself harpooned by a petulant, changeable upper class toff who was in many ways his antithesis. There’s a strange unsettling kind of doom that hovers over his sad fate that will ensure his love story lasts for all time, an outcome he would probably have enjoyed had it not consumed him.
Dufour, $44.95
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Read more: 
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Places We Play
Mike Cronin and Roisin Higgins

Anyone who grew up in Ireland will remember their local pitches and golf courses with fondness, be they ever so humble, and the majority of them were.

In their new book, Mike Cronin and Roisin Higgins explore national stadiums to the most derelict former homes of sporting glory and in the process they unravel generations of Irish sporting history.

These were the places were hopes and dreams came to life for an hour, and the book recalls the kind of women and men who dreamed them, tracing the impact and reach of sport in modern Ireland along the way.

So many groups had a hand – and in consequence a say – in how that history unfolded. Local tradesmen, politicians, landed wealth, the military, and the clergy all helped shape the idea of a national sporting heritage and this evocative and handsomely illustrated book brings that heritage to life.
Dufour, $44.95

The Savage City
By T.J. English

Now available in paperback, celebrated Irish American author T.J. English’s The Savage City is a bracing reminder of the racial powder keg that was New York City in the sixties and seventies.

Despite what we might like to think, racial struggles didn’t just happen in the south, since there were major battles happening right here in New York. The gloves came off between a police department that thrived on corruption and a suddenly militant black underclass, which began to agitate for their rights, with explosive results.

English reminds us that the struggle for civil rights was exactly that, when it was not an all out war on the city streets. In this immensely readable book, which propels the reader forward through a catalogue of horrors, English confirms his reputation as a master of gritty social history.
William Morrow, $15.95

Window and Mirror: RTE Television 1961-2011
By John Bowman

Few Irish commentators are better placed to record the changes to Ireland’s national broadcasting channel than the station’s own distinguished veteran broadcaster John Bowman.

In Window and Mirror: RTE Television 1961- 2011 he reminds us that 2011 marked the 50th anniversary of the station that reflected and sometimes led Irish opinion over five decades.

Bowman opens a window on Irish society over five decades, reminding us of the strong arming tactics employed by the clergy, politicians, and other competing strands of Irish society, including Gaelgeoirs.

What Bowman reminds us is how deeply the public sought to see the station as a forum to question prevailing attitudes and traditional values in a society that was discovering just how corrupt and cruel it had been under its apparently conservative surface.

The history of RTE turns out to be the history of an Irish people determined to shape its own future, Bowman argues. In his insightful and evocatively illustrated new book Bowman conjures decades of Irish social change in a compelling new book.
Dufour, $49.95
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Read more: 
53-year old Irish carpenter re-emigrates to New York, describes why he had to leave

Top ten people I’d like to have a pint with 
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Thursday, March 29, 2012

How to pour a perfect pint of Guinness from a can

At some point almost everyone has wondered how to pour the perfect pint of Guinness from a can, and now thanks to the gourmet food site Chowhound.com your quest is at an end:

Monday, March 26, 2012

Gavin Friday - Irish pop genius - VIDEO

Gavin Friday
Gavin Friday, who is quite wonderfully sui generis, makes our list for one of the most singular pop talents Ireland has produced.

Here he reminds you why.

This track, titled "Able", is taken from his recent album "Catholic":

Friday, March 2, 2012

Saint Patrick's Day pants - your holiday sorted

Feeling like making a (loud) statement this Saint Patrick's Day? Why not wear your Irish pride right out in public where you can see it with help from these unmistakable 100% Cotton St. Patrick’s Day Chinos new from Bonobos.

Turn heads and maybe win some new admirers before or after the parade. You can pick 'em up by clicking here.

Friday, January 27, 2012

Michael Fassbender's first nude scene discovered

Michael Fassbender's shockingly raw performance in director Steve McQueen's 'Shame' proved much too adult for the easily startled judges of the Academy Awards this year, but there's no question he's become the most sought after leading man in the world.

The Academy's decision to overlook his work was a widely lamented travesty, but an expected one, considering their track record on mature themes and nominations.

Male nudity has always been a bridge too far for the sensitive types who compile the nominations but thankfully Fassbender's not concerned. In fact he recently had a laugh at all the fuss his latest film caused in some quarters.
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Read more:

Michael Fassbender wins Online Critics award for 'Shame' role


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“Shame’s” Michael Fassbender denied Oscar nomination - VIDEO
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'From the start of my career, I’ve been naked. My first job was a commercial for SAS airlines. In the spot, I wake up in a pink room next to a beautiful blonde girl and get out of bed naked. From that point forward, it’s been in all of my contracts: He must be naked in this film,' Fassbender joked.

Now, thanks to a bit of digging by the folks over at Gay.net, that original ad has been found. Don't click on the link if male nudity offends you. In fact, you should probably never visit a gym, join the army, play major sports or marry. For the rest of you, enjoy:

Friday, December 2, 2011

Phillip Glass opera Satyagraha is extraordinary

On Saturday I enjoyed one of the highlights of my opera going life at the flawless production of the Phillip Glass opera Satyagraha, directed by Phelim McDermott.

Based on the life of Ghandi, with illuminating reference to the lifelong struggle of fellow titan Martin Luther King, the performance achieved moments of extraordinary beauty.

This being a Phillip Glass work it was also ponderous, aching, celebratory, stirring and at times - yes - seriously dull.

Glass reminds you what is unique about the opera's capacity to transport, because it's at once sublime and physical, heard and seen, and no other medium marries the elusive magic of music to the spectacles of the physical world with the same capacity for rapture.

Which is just a highfalutin way of saying I loved it.

Meanwhile we're at an unusual moment in the history of this nation, where the gulf between - to borrow a little opera parlance - standing room and orchestra prime have become dangerously pronounced.

After last night's performance of Satyagraha Phillip Glass himself came out to address the Occupy Wall Street protestors who had arrived at Lincoln Center to highlight what they called the 'certain disparity between its lofty moral message and the machinery of corporate arts funding.'

Lincoln Center was recently remodeled after a $100M gift from oil baron and Tea Party funder David Koch. But it's doubtful he ever envisaged it beging the scene of an impassioned discussion between audience members and protestors, as they debated issues of exploitation and civil rights (which, marvellously, are also the subject of Satyagraha itself) on the opera house steps.

If you can get tickets to see Satyagraha I can assure you you'll be glad you did.